- Once upon a time in hollywood streaming movie#
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- Once upon a time in hollywood streaming series#
- Once upon a time in hollywood streaming tv#
Castellai (who, not incidentally, later went on to direct 1978’s “The Inglorious Bastards”), and at least gives Byrne (cast as a bank agent who may or may not be involved with train robbers) the opportunity to shine in a couple of acrobatic fight scenes that look like early rough drafts for Jackie Chan extravaganzas. “Any Gun Can Play,” arguably the best of the lot, was directed by Enzo G. Even more unfortunately, none of Byrne’s spaghetti Westerns did much to reignite his faded star power (although he reportedly walked away with respectable paychecks).
Once upon a time in hollywood streaming tv#
Unfortunately, unlike Dalton, he never worked with cult-fave filmmaker Sergio Corbucci (who directed “Navajo Joe,” a 1966 oater starring TV vet Burt Reynolds, and 1968’s “The Mercenary,” which is pointedly represented with posters in the theater Margot Robbie’s Sharon Tate visits during “Hollywood”).
Once upon a time in hollywood streaming series#
Much like Rick Dalton, “77 Sunset Strip” heartthrob Edd Byrnes attempted to jump-start his stalled career years after his TV series was canceled by starring in three ‘60s spaghetti Westerns filmed more or less back-to-back in Italy. (Only in the movies!)” As a bonus, Garner added: “Bruce showed me some martial arts moves between takes,” just like he does for Sharon Tate (prior to her “Wrecking Crew” role) in “Hollywood.” Years later, Garner would recall in his memoir: “I got to beat up Bruce Lee. The dust-up recalls a similarly improbable face-off in Paul Bogart’s “Marlowe,” a contemporized adaptation of Raymond Chandler’s “The Little Sister” that had James Garner’s private eye Philip Marlowe getting the best of a swift-kicking mob enforcer played by the real Bruce Lee after maneuvering said enforcer into diving off a rooftop. It’s all the more affecting if you know that, in real life, the franchise-killing “Wrecking Crew” was the last film featuring Tate to be released during her lifetime.įans and admirers of the late Bruce Lee likely will be affronted by the scene in “Hollywood” where the legendary martial artist (played by Mike Moh) gets tossed about by stunt double Cliff Booth.
The last and least of the silly spoofs starring Dean Martin as swinging superspy Matt Helm - a character portrayed as a deadly serious assassin in the Donald Hamilton novels that “inspired” the movies - cues a surprisingly affecting “Hollywood” sequence in which Margot Robbie’s Sharon Tate surreptitiously visits a Westwood theater to view herself on screen, and is pleased to see the audience responding favorably to her spirited portrayal of Helm’s sometimes klutzy, sometimes agile assistant.
Once upon a time in hollywood streaming movie#
But Tarantino himself has credited the movie as a “Hollywood” influence because of his vivid evocation of a specific time, place and zeitgeist - a quality director Andrew Slater exploits in the “Model Shop” excerpts he uses in his recent documentary “Echo in the Canyon.”
while pondering his uncertain future and his recent draft notice is one of those ’60s cult favorites that, to be brutally honest, are much better remembered than revisited. Jacques Demy’s deliberately paced drama about an aimless young man (Gary Lockwood) who roams around L.A. Indeed, “The Bandit” emphasizes that Needham never managed to emerge beyond Reynolds’ formidable shadow - even though, unlike Brad Pitt’s easygoing Booth, he yearned for what he thought was his fair share of the spotlight. While remaining mostly upbeat and respectful, Moss none-too-subtly indicates that the decades-long friendship shared by the two men - obviously an inspiration for the Rick Dalton/Cliff Booth relationship in “Hollywood” - was not entirely devoid of jealousy and resentment.
Once upon a time in hollywood streaming professional#
Jesse Moss’ entertaining and insightful documentary is putatively about the making of 1977’s “Smokey and the Bandit,” but more interestingly concerned with the personal and professional bonds between superstar Burt Reynolds and stuntman-turned-filmmaker Hal Needham.